Fun Home: A Family Tragicomic | 
 enlarge | Author: Alison Bechdel
Publisher: Houghton Mifflin
Category: Book
List Price: $19.95
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Rating:  90 reviews
Sales Rank: 120133
Media: Hardcover
Edition: 1
Number Of Items: 1
Pages: 240
Shipping Weight (lbs): 1.1
Dimensions (in): 9 x 6 x 1.2
ISBN: 0618477942
Dewey Decimal Number: 741.5973
EAN: 9780618477944
ASIN: 0618477942
Publication Date: June 8, 2006
Availability: Usually ships in 1-2 business days
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Product Description
A fresh and brilliantly told memoir from a cult favorite comic artist, marked by gothic twists, a family funeral home, sexual angst, and great books.
This breakout book by Alison Bechdel is a darkly funny family tale, pitch-perfectly illustrated with Bechdel's sweetly gothic drawings. Like Marjane Satrapi's Persepolis, it's a story exhilaratingly suited to graphic memoir form.
Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescense, the denouement is swift, graphic -- and redemptive.
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| Customer Reviews: Read 85 more reviews...
 The complexities of identity May 30, 2008
I live an hour away from Beech Creek, Alison Bechdel's tiny hometown and the setting for much of her graphic memoir Fun Home. I've always found the area oppressive: dark, looming mountains casting perpetual shadows on impoverished, dying valley towns. But after reading Fun Home, I revisited Beech Creek, to see Bechdel's childhood home and the grave of her father Bruce, and to remind myself of how cruelly ironic life can be.
Bruce Bechdel, a man who loves literature (in his early days he identified with F. Scott Fitzgerald; in his final days he reads Proust), an aesthete with a taste for the baroque detail of the Victorian era, and a creative and versatile designer of interior and exterior landscapes, is born and lives in rural central Pennsylvania, running the family funeral home and teaching at the local high school. He never quite fits in. Always sun-tanned and exquisitely dressed (no plaid hunter's shirts or chewing tobacco for him), persnickety and a bit prissy, but at the same time speaking with a back-country twang, Bruce seems uncannily out of place in Beech Creek.
And he's a closeted gay man, who has occasional affairs on the side and otherwise sublimates his repressed sexuality by obsessively restoring the Victorian-era house in which Alison grew up. The tension of his closeted life makes him aloof, prone to violent temper tantrums, controlling, and sometimes cruel to both wife and children.
Alison's Bechdel's memoir of him, and the way in which her own identity both became the inverse of his and yet in many respects parallels his, is a sophisticated narrative that underscores just how complex personal identity is. Alison is who she is, just as her father was who he was, because of the convergence of Beech Creek, sexuality, alienation, fun, repression, the need to be creative, the yearning for affection, the factuality of history and the re-creation of memory. There's no formulaic happy ending here, no artificial structuring to make more sense of the relationship between herself and her father than there really was. Instead, what the reader is offered is a profound, sensitive, bittersweet effort to explore memory in search of identity--an effort which throughout is punctuated by Bechdel's references to both Proust and James Joyce--and an appreciation for the ironies of fate which make us who we become.
Other reviewers have mentioned that they read the memoir at one setting. I found it so intense that I could only take it in small portions, and even then I sometimes felt overwhelmed. For in sharing her own identity-forming memories with us, she invites us to plumb more deeply into our own. And both exercises, although potentially liberating, can also be harrowing.
 disappointing May 25, 2008
0 out of 6 found this review helpful
I knew she was a cartoonist but did not know the memoir would be in cartoon form. It was reasonably well written but her family members just didn't come alive for me.
As a lesbian, I found it especially upsetting to read about yet another woman who felt like she had come home when she put on her father's clothes.
Fun Home: A Family Tragicomic April 29, 2008
An absolutely brilliant, hard to put down and very moving story. I go back to it often and think about it always. Beautiful, witty, hilarious.
 Funny and genuine January 24, 2008
Perhaps it is inevitable that I'd fall for this book, given that I'm a fan of comics --Art Speigelman, Chris Ware, Lynda Barry, Megan Kelso, Gilbert & Jamie Hernandez... and of course Alison Bechdel, whose Dykes to Watch Out For strip I've followed for a long time. Compared to that strip, this book has a more gentle pace and wry wit. It says as much as written biographies in a surprisingly compact way. The ending disappointed some, but surely real life is harder than fiction to tie up in a tidy bow.
Brilliant. Groundbreaking. Glorious! November 28, 2007
I cannot praise this graphic novel enough. I was so impressed with way Bechdel wove her memoir together, building from one memory into the next. At first I found some of her writing potentially pretentious, something I have seen in the writings of other memoirs where the author wants the reader to know how much they know, to be impressed with the use of precise vocubulary, and the manipulation of time to unfold a story. Usually, these don't work because they are not used effectively so much as for effect. Bechdel, however, has no pretense. Vulnerable and transparent, how she tells her personal story is so powerful it breaks your heart and inspires you soul all at the same time. Her use of the same image, with a slightly different perspective, is not merely clever but perfection. If I could beg her to write about her relationship with her mother, I would. But what would be the point? Then I would want to know more about her relationships with her siblings, with her lovers, with her neighbors. I could never have enough. It is enough to hope for more.
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